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  <title><![CDATA[ibiblio catalog]]></title>
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    <name><![CDATA[Unknown]]></name>
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  <updated>2024-07-18T00:36:13-04:00</updated>
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    <id>https://www.ibiblio.org/catalog/items/show/4428</id>
    <title><![CDATA[United States Army and World War II]]></title>
    <summary><![CDATA[PDF versions of over forty of the official U.S. Army Histories of World War II (the &quot;Green Books&quot;) including a chronology, all major theaters, pictorial histories, and &quot;campaign brochures&quot; for all major campaign. ]]></summary>
    <updated>2020-03-06T16:52:39-05:00</updated>
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                    <div class="element-text">PDF versions of over forty of the official U.S. Army Histories of World War II (the &quot;Green Books&quot;) including a chronology, all major theaters, pictorial histories, and &quot;campaign brochures&quot; for all major campaign. </div>
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                    <div class="element-text">pha,clancey</div>
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                    <div class="element-text">1080</div>
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                    <div class="element-text">English</div>
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                    <div class="element-text">http://www.ibiblio.org/pha/USA-in-WWII/</div>
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    <id>https://www.ibiblio.org/catalog/items/show/4277</id>
    <title><![CDATA[The Carter-Klan Documentary Project]]></title>
    <summary><![CDATA[&quot;My duty as the only newspaperman in Tabor City stared me squarely in the face. I could not compromise my conscience. I must fight the Klansmen with all the power that my tiny press could muster. That meant that I too would be the victim of their wrath.&quot; W. Horace Carter]]></summary>
    <updated>2020-12-02T14:31:34-05:00</updated>
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                    <div class="element-text">The Carter-Klan Documentary Project</div>
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                    <div class="element-text">&quot;My duty as the only newspaperman in Tabor City stared me squarely in the face. I could not compromise my conscience. I must fight the Klansmen with all the power that my tiny press could muster. That meant that I too would be the victim of their wrath.&quot; W. Horace Carter</div>
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                    <div class="element-text">cdp4unc</div>
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                    <div class="element-text">927</div>
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                    <div class="element-text">http://www.carter-klan.org/</div>
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  <entry>
    <id>https://www.ibiblio.org/catalog/items/show/4052</id>
    <title><![CDATA[Transoxiana]]></title>
    <summary><![CDATA[<p><b>Journal de Estudios Orientales</b><br>Electronic - Full-Text Open Access</p><p>Escuela de Estudios Orientales<br>Universidad del Salvador</p>]]></summary>
    <updated>2020-03-06T16:52:42-05:00</updated>
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                    <div class="element-text">Transoxiana</div>
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                    <div class="element-text"><p><b>Journal de Estudios Orientales</b><br>Electronic - Full-Text Open Access</p><p>Escuela de Estudios Orientales<br>Universidad del Salvador</p></div>
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                    <div class="element-text">transoxi</div>
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                    <div class="element-text">English,Italian,Spanish,Russian</div>
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                    <div class="element-text">http://www.transoxiana.org</div>
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    <id>https://www.ibiblio.org/catalog/items/show/4019</id>
    <title><![CDATA[Intercontinental Network for Peace and Solidarity]]></title>
    <summary><![CDATA[The specificity of this transverse network of international solidarity is to regroup NGO representatives from three countries, each of them symbolizing a continent:Democratic Republic of Congo (Africa) Colombia (South America) Tibet (Asia)having the following characteristics in common:Experiencing systematic violation of human rights;Not being supported efficiently by UNO;Using non-violent means, whenever possible.]]></summary>
    <updated>2020-03-06T16:52:43-05:00</updated>
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    <category term="Social Sciences"/>
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        <h3>Title</h3>
                    <div class="element-text">Intercontinental Network for Peace and Solidarity</div>
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                    <div class="element-text">The specificity of this transverse network of international solidarity is to regroup NGO representatives from three countries, each of them symbolizing a continent:Democratic Republic of Congo (Africa) Colombia (South America) Tibet (Asia)having the following characteristics in common:Experiencing systematic violation of human rights;Not being supported efficiently by UNO;Using non-violent means, whenever possible.</div>
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                    <div class="element-text">icnps,walker</div>
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                    <div class="element-text">663</div>
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                    <div class="element-text">http://www.ibiblio.org/solidarity/</div>
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    <id>https://www.ibiblio.org/catalog/items/show/3986</id>
    <title><![CDATA[gnawa stories]]></title>
    <summary><![CDATA[Somewhere in Morocco. Between African Shamanism and Islam. Between primitive traditions and modernity. At the crossroads of Globalism. You will find the Gnawa: Mystical Musician Healers from Morocco. From marginalized subculture to "official" representatives of Moroccan culture, many Gnawa have undergone a dramatic transition in the past decade. This is the first multimedia website project of its kind dedicated to the Gnawa. Mixing video, audio, photographs and text, Gnawa Stories takes you inside the uncharted waters of this secret world, and explores the Gnawas' commitment to connect with their traditions while adapting to a new Global Age.<br /><br /><span style="font-weight:400;">This site was created in Flash, you’ll need to allow Flash in order to view it. See this exhibit for more details </span><a href="https://www.ibiblio.org/catalog/exhibits/show/a-brief-history-of-flash/a-brief-history-of-flash"><span style="font-weight:400;">https://www.ibiblio.org/catalog/exhibits/show/a-brief-history-of-flash/a-brief-history-of-flash</span></a>]]></summary>
    <updated>2021-04-30T10:01:21-04:00</updated>
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    <category term="Flash"/>
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    <category term="Reference"/>
    <category term="Religion and Theology"/>
    <category term="Slavery"/>
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                    <div class="element-text">gnawa stories</div>
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                    <div class="element-text">Somewhere in Morocco. Between African Shamanism and Islam. Between primitive traditions and modernity. At the crossroads of Globalism. You will find the Gnawa: Mystical Musician Healers from Morocco. From marginalized subculture to "official" representatives of Moroccan culture, many Gnawa have undergone a dramatic transition in the past decade. This is the first multimedia website project of its kind dedicated to the Gnawa. Mixing video, audio, photographs and text, Gnawa Stories takes you inside the uncharted waters of this secret world, and explores the Gnawas' commitment to connect with their traditions while adapting to a new Global Age.<br /><br /><span style="font-weight:400;">This site was created in Flash, you’ll need to allow Flash in order to view it. See this exhibit for more details </span><a href="https://www.ibiblio.org/catalog/exhibits/show/a-brief-history-of-flash/a-brief-history-of-flash"><span style="font-weight:400;">https://www.ibiblio.org/catalog/exhibits/show/a-brief-history-of-flash/a-brief-history-of-flash</span></a></div>
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                    <div class="element-text">2003</div>
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                    <div class="element-text">rodrigo</div>
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                    <div class="element-text">627</div>
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                    <div class="element-text">English,French</div>
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                    <div class="element-text">http://www.ibiblio.org/gnawastories</div>
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    <id>https://www.ibiblio.org/catalog/items/show/3933</id>
    <title><![CDATA[Fela Project]]></title>
    <summary><![CDATA[The Fela Project is a multimedia project that explores and commemorates the influence of Fela Anikulapo-Kuti, the legendary Nigerian Afrobeat musician and Human Rights Activist who died of AIDS-related illness in 1997. The Fela Project exhibition, Black President: The Art and Legacy of Fela Anikulapo-Kuti, an exhibition curated by Trevor Schoonmaker of works by contemporary artists who are inspired by Fela Anikulapo-Kuti, is scheduled to open on July 10th 2003 at The New Museum of Contemporary Art in New York City.]]></summary>
    <updated>2020-03-06T16:52:44-05:00</updated>
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                    <div class="element-text">The Fela Project is a multimedia project that explores and commemorates the influence of Fela Anikulapo-Kuti, the legendary Nigerian Afrobeat musician and Human Rights Activist who died of AIDS-related illness in 1997. The Fela Project exhibition, Black President: The Art and Legacy of Fela Anikulapo-Kuti, an exhibition curated by Trevor Schoonmaker of works by contemporary artists who are inspired by Fela Anikulapo-Kuti, is scheduled to open on July 10th 2003 at The New Museum of Contemporary Art in New York City.</div>
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                    <div class="element-text">trevor</div>
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                    <div class="element-text">564</div>
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                    <div class="element-text">English</div>
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                    <div class="element-text">http://www.ibiblio.org/felakuti/ </div>
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  <entry>
    <id>https://www.ibiblio.org/catalog/items/show/3888</id>
    <title><![CDATA[Afro-Louisiana History and Slave Genealogy]]></title>
    <summary><![CDATA[The Afro-Louisiana History and Genealogy online search engine was designed to provide the general public free access to valuable historic records. Users can locate individual slaves who lived in Louisiana between the years of 1718 and 1820 through this easy-to-use, free, public database. Find valuable historical data from over 100,000 descriptions of slaves found in documents in Louisiana between 1718 and 1821 by searching identifiers such as gender, racial designation, or plantation location. Users can even search the origin of the slaves brought to Louisiana in the 18th and 19th centuries to work the New World.]]></summary>
    <updated>2020-03-06T16:52:44-05:00</updated>
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                    <div class="element-text">The Afro-Louisiana History and Genealogy online search engine was designed to provide the general public free access to valuable historic records. Users can locate individual slaves who lived in Louisiana between the years of 1718 and 1820 through this easy-to-use, free, public database. Find valuable historical data from over 100,000 descriptions of slaves found in documents in Louisiana between 1718 and 1821 by searching identifiers such as gender, racial designation, or plantation location. Users can even search the origin of the slaves brought to Louisiana in the 18th and 19th centuries to work the New World.</div>
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                    <div class="element-text">bacree,burta</div>
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                    <div class="element-text">English</div>
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                    <div class="element-text">http://www.ibiblio.org/laslave/</div>
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